A young woman from southern Italy tells of her life as a migrant in Frankfurt – re-enacted by fellow immigrants so she doesn’t break the code of silence.

Double bill: Chytilová’s FAMU graduation film about a model hitting the limits of her comfortable life, and Zhelyazkova’s portrait of mothers and babies inside the women’s prison in Sliven.

Double bill: Chytilová’s FAMU graduation film about a model hitting the limits of her comfortable life, and Zhelyazkova’s portrait of mothers and babies inside the women’s prison in Sliven.

Why did so many women documentary makers vanish from film history – and how do we bring them back? A conversation with the ANOTHER STORY team. Free admission.

A young woman from southern Italy tells of her life as a migrant in Frankfurt – re-enacted by fellow immigrants, straddling documentary and fiction, minor and major history.

Documentary filmmaker Alisa Kovalenko on the role of women in documentary today. Free admission.

From factory-floor observation to video art: works by Krystyna Gryczełowska, Dorota Kędzierzawska, Irena Kamieńska, Ewa Partum, Teresa Tyszkiewicz and others.

A masterclass with filmmaker Magda Szymków as part of ANOTHER STORY at HER Docs.

Young participants rethink history by researching and writing Wikipedia articles that make Bulgarian women directors visible.

16-year-old Carmen, growing up on the edge of Berlin, performs her dreams of dancing and escape for the camera – a vivid mix of reality and fantasy.

Marta works as a model and seems content – until a chance meeting exposes the invisible ‘ceiling’ over her life. Chytilová’s early take on her great theme: emancipation.

Punk icon Jordan plays a night receptionist in a West London hotel, watching a parade of nocturnal figures – a dreamlike film from London’s countercultural scene.

Hands-on session: together we research and write Wikipedia articles on Swiss women filmmakers – rewriting who gets remembered.

With Wikimedia CH: together we write and expand Wikipedia biographies of the Polish directors screened that evening. In the cinema foyer.

Polish shorts on women’s work and emancipation – including 24 Hours of Jadwiga L., often seen as a forerunner of Jeanne Dielman. Presented by filmmaker Beatrice Minger.

Featuring: Sara Fgaier (director, editor, producer), Anna Masecchia (University of Florence), Rosa Barotsi (Sapienza University of Rome).

Two early Chytilová films closing MAMCO’s Sylvia Sleigh exhibition, followed by a discussion with director Stéphanie Barbey.

Two-day workshop for emerging film critics on feminist film analysis and writing about rediscovered women’s cinema.

Two-day workshop for emerging film critics on feminist film analysis and writing about rediscovered women’s cinema.

Seventeen babies live in the women’s prison in Sliven. Zhelyazkova listens to the mothers who gave birth behind bars – and asks what a newborn sees and hears there.

Marta works as a model and seems content – until a chance meeting exposes the invisible ‘ceiling’ over her life.

“Who decides which films are remembered? A panel on archives, canons and the women who shaped documentary.” We avoid framing the filmmakers as left out or forgotten.

Starting from the 1979 fascist attack on Rome’s Radio Donna, Scholten traces 80 years of women’s resistance in Italy through archive footage and interviews.